Cynthia Nixon, photographed by Maarten De Boer.
Tony and Emmy Award winner Cynthia Nixon has played everyone from Jean Brodie to Eleanor Roosevelt, but the role that got away was Agnes Gooch. “I’m too old now, but I always really wanted to do Gooch,” she says. “Because if she sings badly, it’s fine, you know?” If the third lead in Mame seems like an unlikely Everest, keep in mind that Nixon is obsessed with musicals. She and Sarah Jessica Parker used to sing showtunes during long nights on the set of “Sex and the City,” and these days she still listens mostly to cast recordings. For her dream Encores! show, Nixon selected The Golden Apple, Jerome Moross and John Latouche’s exquisite, brainy “opera for Broadway,” which retells the Greek myths of Helen, Paris, Ulysses, and Penelope through the lens of American folklore. Although the 1954 musical closed on Broadway after four months, it has since acquired a merry, fanatical band of admirers.
CITY CENTER: How did you discover The Golden Apple?
CYNTHIA NIXON: My mother. I was very immersed in musicals growing up—which is what Steve, the play that I’m directing at The New Group, is so much about: people who live for musicals, and live through musicals. I certainly fit into that category, and I’ve done it to my children. (laughs) I’ve also done it to my wife, who was not a musical comedy person at all before she met me. My mother steeped me in musical theater, and we used to play the Golden Apple record. Then I was lucky enough to see a production of it, which is unusual, at the York Theater [in 1978] when I was still a kid. I knew the show inside out by the time I saw it.