New York City Center presents
Mainstage
Nov 10-12, 2016
Tickets start at $35
85 minutes
Renowned Russian ballerina Natalia Osipova breaks free of her classical roots in a triple bill of contemporary works created for her by Sidi Larbi Cherkaoui, Russell Maliphant, and Arthur Pita. The program, which premiered in London in June, features Cherkaoui’s Qutb, a trio for Osipova and two male dancers; Maliphant’s Silent Echo, a duet for Osipova and ballet star Sergei Polunin; and Pita’s Run Mary Run, a thrilling comic duet for Osipova and Polunin that draws inspiration from 1960s girl-group music and the tragic life of Amy Winehouse.
“Maliphant, Osipova, and Polunin are indeed a match made in heaven.”
–Daily Express, UK
Qutb (US Premiere) Sidi Larbi Cherkaoui
Silent Echo (US Premiere) Russell Maliphant
Run Mary Run (US Premiere) Arthur Pita
Leadership Support for Dance at City Center is provided by
Support for the Artistic Innovation Fund is provided by
Lisa and Richard Witten
Elena Kunikova is a graduate of Vaganova Ballet Academy (the Kirov Ballet School), in St. Petersburg, Russia. At Maly Theatre, where Elena started her career, she performed more than thirty principal and soloist roles in classical and contemporary ballets including Swan Lake, Nutcracker, Giselle, Paquita, Serenade (by Balanchine), and many others.
Over the past few years, Elena was active in staging of classical repertoire. Most recently Elena staged and rehearsed a number of pieces for The Ballet Trocadero. As a result, "The Trocks" popularity has grown considerably. Flattering press in NYC, London and Tokyo would always mention choreographic and stylistic authenticity accentuated by a healthy dose of irreverent humour in their performances. Stagings included full-length productions of Don Quixote, Giselle, Sleeping Beauty and Les Sylphides as well as Grand Pas from Paquita, Little Humpback Horse, Esmeralda, Harlequinade, Pas de Quatre, Pas des Odalisque and other staples of Russian classical ballet.
Robert Garland is a former Principal Dancer with the Dance Theatre of Harlem and their first official Resident Choreographer, creating dances for the Dance Theatre of Harlem Company and their School Ensemble. He has also choreographed for the New York City Ballet, The Royal Ballet, and the Oakland Ballet among many others.