London, 1879. The prestigious Explorers Club faces the worst crisis in its history: the acting president wants to admit a woman, and their bartender is terrible.
Pharus wants nothing more than to take his rightful place as leader of his prep school's legendary gospel choir.
In an era of Occupy Wall Street–style rebellion against corporate greed, Marc Blitzstein’s 1937 battle hymn to the proletariat feels remarkably fresh.
Based on the short story “The Ugliest Pilgrim” by Doris Betts, the show follows a young woman who embarks on a religious pilgrimage in hopes of being healed of her disfiguring scar.
I’m Getting My Act Together and Taking It on the Road stoked the fires of feminism, not only with its joyous rock score proclaiming empowerment for women, but because of its female songwriting team—a rarity in musical theater then and now.
This, The Year of Italian Culture, would not be complete without a memorable performance by one of Italy’s most beloved artists, Roberto Bolle.
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